F
Visualize rippled lines (in the money F), as we learned from the t bar, winding lines manifest gaiety, a doctrine of fun, repeatedly the practical joker.
When the top stroke extends over the total word, it shows a reaction of protection. This is a masculine quality, on the other hand it is establish in bounteous women, remarkably those bringing up children alone.
Simplified strokes manifest the writer's fancy to quickness and a distress of adornment in his personal life-style.
When the mail contains a knot, it reveals toughness
Deliberate the 'f' written as a triangular shape with the boundary stroke horizontal. Angles, as we know, instruct hardness, and there are three of them here, all in the lower zone. This hints at a burly resistence to interference in truth any interference whatsoever. It is probably caused by sexual frustration.
The dispatch G is discussed in Event 6.
H
Picture the downstroke (of the 'h') extending under the thing of the packages and to the left. This person, whereas of his cussed nature, would rather argument than compromise. The stubbornness is demonstrated by the drawn out downstroke, as though he were clouting someone. The actuality that he would prefer to confrontation for his position is shown by the leftward tendency. Not individual does he not limitation the correspondence with a rightward finishing stroke (which is general and shows a pleasant bond to the other person), nevertheless he goes the contrary way, leftward. This declares defiantly that he is withdrawing his social attentions from the other person.
Note: Provided an individual's help tends toward a particular line in one specific zone, it indicates a energetic meaning. This indubitable writing is such an example. This send shows a vertical writing in general, however a lower section with a assorted mind toward the left-reclined writing. This shows that, although the writer maintains a amassed or less steady posture in his highbrow and day-to-day life, in things of manliness or banknote or materialistic pleasures, he factor a trustworthy withdrawal.
Suppose a vulgar-looking and ornate letter ('H') that has a vertical path added in unnecessarily between the left and due parts. Obviously this writer displays an undue speak of self-importance. Adolf Hitler wrote this way. (Many graphologists buy that the vertical wrinkle accentuated his moustache.)
Contemplate the upper sphere that hardly exists at all. Hence, this writer does not presume in spiritual ideals.
When the upper circuit is large-say three to four times the bigness of the centre zone, we behold an idealistic, spiritual, and recurrently devout individual.
Picture no objective stroke to the letter. In that the mark stroke represents the affinity to one's fellowman, we study meanness here.